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PRIVATE ART COLLECTION 


FORMED BY 


a _ JOSEPH T. KINSLEY, ESO. 
* | OF PHILADELPHIA, PA. 


THE 
: PHILADELPHIA ART GALLERIES 
SOUTHEAST CORNER FIFTEENTH AND 
CHESTNUT STREETS, PHILADELPHIA 


CATALOGUE 
OF THE 


PRIVATE ART COLLECTION 


FORMED BY 


JOSEPH T. KINSLEY, ESO. 
PHILADELPHIA, PA. 


fee oO) AL UNRESTRICTED PUBLIC SALE 
ON THURSDAY AFTERNOON 


APRIL 27th, 1922 
AL 2306 0 CLOGK 


THE SALE WILL BE CONDUCTED BY 


MR. REED H. WALMER 
OF 
fie BEI ADELPHIA ART GALLERIES 


S. E. CORNER 15TH AND CHESTNUT STREETS 


PHILADELPHIA ) 


III. 


LV: 


V. 
VI. 


VII. 


DALE. 


CONDITIONS OF SALE 


. All bills payable in Cash before delivery. 
. The highest bidder to be the buyer, and if any dispute arise 


between two or more bidders the lot so in dispute shall be 
immediately put up again and resold. 


The purchasers to give their names and addresses, and to pay 


down a cash deposit of at least 25 per cent. of the purchase 
money, or the whole if required, in default of which the lot 
or lots so purchased to be immediately put up again and 
resold. | 


The lots to be taken away at the buyer’s expense and risk 


within twenty-four hours of the conclusion of the sale, and 
the remainder of the purchase money to be absolutely paid or 
otherwise settled for to the satisfaction of the manager on or 
before delivery, in default of which the undersigned will not 
hold themselves responsible if the lots be lost, stolen, 
damaged or destroyed, but they will be left at the sole risk of 
the purchaser; and no goods to be removed unless receipted 
bills are presented. 


No claims allowed after the removal of goods. 


Articles are exposed for public examination one or more. days, 


and are sold just as they are, without recourse. 


Upon failure to comply with the above conditions, the money 


deposited in part payment shall belong to the managers as 
liquidated damages for purchaser’s failure to complete the 
sale. All lots unclaimed within the time aforesaid shall be 
resold at public or private sale, without further notice. 


The undersigned are in no manner connected with the business 


of the cartage or packing and shipping of purchases, and 
although they will afford to purchasers every facility for 
employing careful carriers and packers, they will not hold 
themselves responsible for the acts and charges of the parties 
engaged for such service. 


THE PHILADELPHIA ART GALLERIES 


Reep H. Watmer, Auctioneer 


THE JOSEPH T. KINSLEY COLLECTION 


Amonc the many treasures of this small but choice collection of 
paintings are two charmingly direct portraits of Mr. and Mrs. Henry 
Robinson of Boston by Thomas Sully; a fine copy by the same artist 
of Benjamin West’s beautiful painting Orestes and Pylades now in 
the National Gallery, London. Rembrandt Peale is responsible for 
two strong paintings of men of the well known Philadelphia Gray 
family. Marchant and Waugh also with two portraits of women; and 
Francis M. Drexel the founder of the great banking house is repre- 
sented by a very carefully painted Holy Family, very rich in color. 
A very delightful group by Watteau will compel attention for its 
fresh decorative color and composition. The American landscape 
school 1s ably upheld by examples of Ridgway Knight, Thomas B. 
Craig and William T. Richards. An historic canvas by Christian 
Schuessele depicting Benjamin Franklin before the Privy Council 
in London is very notable for its fine grouping and the known excel- 
lence of the portraits therein; it is greatly to be desired that a National 
or State Museum will acquire this important painting. 

A group of very decorative canvases, Still Life and Cattle by 
Brandi, Reco, Baldassare and Rosierse are of the fine quality so much 
required for decoration at this moment. A Claude Lorraine, The 
Port of Leghorn, is also of great decorative and pictorial value. A 
very alluring Cattle subject by Anton Mauve, in his earlier manner, 
is slightly reminiscent of Zucarrelli at his best. 

The Dutch seascapist Blommers is represented by his Fishing 
Boats departing from Scheveningen; this painting not only received 
numerous gold medals, but has generally been considered one of his 
greatest pictures; one thing, it certainly is his finest piece of color. 

A very noble avenue of trees, giving an impression of a Gothic 
nave by K. de Paal and Baron Munkacsy is very lofty and inspiring 
in conception. A few bronzes of merit are included, one of importance 


by Isidore Bonheur coming from the George W. Elkins Collection. 


FRANKLIN BEFORE THE Privy CounciL, By C. SCHUESSELE 


No. 34. 


THE JOSEPH T. KINSLEY COLLECTION 
TO BE SOLD ON THURSDAY AFTERNOON 
BPRITL o7thy 1922, AT2.30 O'CLOCK 


E. BARRIAS 
FRENCH: CONTEMPORARY 


THE SISTERS 
Bronze; Height, 10% inches 


An Elder sister stoops over her tiny little sister tantalizing het 30 
as she tries to give her a kiss. F. Barbedienne Fonder. 


Signed on base E. Barrias. 


le bee ON my Bol od 


FRENCH: CONTEMPORARY 


a FLORA } 
Bronze; Height, 1734 inches 
A Nymph, lightly clad, stoops to earth to gather a few blossoms Y Ds 
to add to those she carries in her lap. Rich yellow-green patina. 


F. Barbedienne Fonder. 
Signed on base H. Chapu. 


GREEK ANTIQUE (After the) 
3-—VENUS DE MILO 


Bronze; Height, 3 inches 


Replica of the famous Grecian statue 1n the Louvre. Very 


rich rose-brown patina. Barbedienne, Fonder. Ai SO) 


oO 
Nore. The original marble of this beautiful bronze was excavated in the 
Island of Melos in 1820 and is considered the work of the most famous 
Greek sculptor Praxiteles. 


ISIDORE BONHEUR 
-FRENCH: 1827-1880 
4—THE STEEPLECHASER 
Bronze; Height, 33% inches, length 49 inches 


A Thoroughbred rising at the last fence; tense in action, the 
jockey well up in the saddle. On rustic base. Green marble pedes- 
tal; oblong acanthus leaf top; supported on a spirally fluted 
shaft. : 


Signed I. Bonheur on base. Pedestal, Height, 45 inches 
From the George W. Elkins Collection. Philadelphia. 


ag 
iS 


F. AUGUSTUS ORTMAN 
AMERICAN: CONTEMPORARY 


s—AUTUMN LEAVES 
Height, 14% inches; length, 18 inches 


A Silent pool, surrounded by rocky gray boulders, is crested at 
| left by an ancient gnarled oak tree, touched with Autumn’s glow- 
Takes ing red. 


Signed at lower right F. Augustus Ortman. 


CHARLES FRANCOIS PECRUS 
FRENCH: CONTEMPORARY 


6-—THE CONVALESCENT 
Height, 13% inches; width, 10% inches 


bt An Interesting family group watching the doctor, while he feels 
the pulse of an improving patient. 


W. REICHETT 
ENGLISH: CONTEMPORARY 
9—STILL LIFE, FRUIT 
Height, 24 inches; width, 20 inches 


A Basket of luscious grapes and peaches stands in the foreground 
of a cloudy landscape. 


From the Collection of foseph Harrison, junr., Esq. Philadelphia. 


G. G. HAANEN 
Dutcu: 1807-1863 
8—dA DUTCH BELLE AT HER TOILET 
On Panel; Height, 13% inches; width, 11 inches 


A Young belle attired in a red bodice stands before her mirror 
in an ancient apartment. An elderly maid is toward the rear 
busily laundering furbelows. 


Signed at lower right G. G. Haanen. 


RAFAELS SORBI 
ITALIAN: CONTEMPORARY 
g9—STREET SCENE, FLORENCE 
Height, 14 inches; width, 11% inches 


A Brougham drawn up before a palatial residence in a narrow 
street; a footman holds open the door for a gentleman and his 
wife who are dressed in black and descending the steps about 
to enter the carriage. 


Signed toward lower right Rafs Sorbi 1873. 


bor 


“os, 


6177.50 


GERARD TERBURG 
DutcH: 1617-1681 
10-7 [INSTROGHION PAGERN Eas 
On Panel; Height, 17% inches; width, 14 inches 


A Young lady, wearing a pale yellow silk dress, stands at a 
spinet about center. Her father, a gay cavalier in gold em- 
A o O broidered blue costume, is seated at left, singing to his daughters; 
the other daughter in turquoise blue is seated at right. An 
attendant is passing behind a table at far mght spread with a 

richly patterned oriental rug. 


AUGUSTE SIEGEM 
FRENCH: CONTEMPORARY 
1I—AN. ITALIAN CITY 
Height, 30% inches; length, 38% inches 


An Ancient bridge over a river near the foreground gives access 
to a crowded city, its towers and old world buildings stretching 
bay out toward distant mountains. 


Signed at the lower right Auguste Siegem. 


J. VAN DER WAARDEN 

DutcH: 18TH CENTURY 
1o— SII Be ERG ied Vie Oa 
Height, 24 inches; length, 29 inches 


Beautiful Bunches of pale and dark grapes have fallen from a 
Delft bowl and occupy the foreground of a table, canopied by 
sprays of lilies. 


IGS. 


Signed at lower center J. Van der Waarden. 


From the Collection of foseph Harrison, junr., Esq. Philadelphia. 


CME... DANA 
ENGLISH: CONTEMPORARY 
13—MARS HILL, LYNMOUTH, ENGLAND 
- Watercolor; Height, 25 inches; length, 38 inches 


Ivy grown thatched cottages stretch, from immediate left, to a 
sandy beach at distant right, seen before the sea which fills the 
horizon. A few figures animate the beach. 


Signed at lower left Mars Hill, Lynmouth, C. E. Dana 1885. 
From the Collection of Dr. Charles Hart. Philadelphia. 


AIME PERRET 

FRENCH: 1846- 
14—THE GLEANERS HOMEWARD BOUND 
Height, 29% inches; width, 244% inches 


Two Normandy peasant girls advance over a field, one carrying 
a large rake, the other a sheaf of wheat. Red roofed cottages 
are toward distant right. A superb glowing sunset floods the 
scene with rich color. 


Signed at lower left Aimé Perret. 


From the Collection of Mrs. Craig Lippincott. Philadelphia. 


THOMAS B. CRAIG 
AMERICAN: CONTEMPORARY 
15—CLOSE OF DAY 
Height, 18 inches; width, 30 inches 


A Flock of sheep are returning toward a distant New England 
homestead nestling amid green trees, that canopy and flank 
green pasturage. 


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150. 


NEWBOLD H. TROTTER 
AMERICAN: CONTEMPORARY 
16-—THE (BARN V7 
Height, 23% inches; length, 29% inches 


A Splendid young bull, dun and white, is tethered about center 
to a nearby outbuilding. Farming utensils litter the yard 
and amid them are a number of fowl. The sun glints over the 


bull’s flank. 
Signed at the lower left N..H. Trotter, Phila., 1866 


WILLIAM TROST RICHARDS, N.A. 
AMERICAN: 1833- 
17—THROUGH THE WOODED VALE 
Height, 24 inches; length, 34% inches 


An Elderly man and his daughter who wears a pink dress are in 
the foreground, before a sluggish stream, bordered by fine old 
trees. Evening is casting shadows over the trees from a gleaming 
sun in a summer sky. Uneven rocky ground at left. 


Signed lower right Wm. T. Richards, 1886. 
from the Collection of ‘fohn Michener, Esq. Philadelphia. 


GIUSEPPE BOSCHETTO 
ITALIAN: CONTEMPORARY 


13—4 BROKEN HEART 
Height, 24% inches; length, 41 inches 


A Young bride has fainted on the steps of an altar in an elabo- 
rately decorated church. The ancient groom of a loveless mar- 
riage kneels before her and his best man supports the bride at 
left. Her angry young lover, the cause of the catastrophe, 1s 
amid the excited crowd beyond the altar rails. 


Signed at the lower right G. Boschetto, Napoll. 


AGOSTINO BOGLIOSTI 
ITALIAN: CONTEMPORARY 
to9—STILL LIFE, FRUIT 
Height, 18% inches; width, 25% inches 
Many Luscious peaches are in the foreground, on one a bee has 
settled; grapes, lemons and other fruit complete a rare group. 


This charming still life was copied by Bogliosti from a celebrated painting 
by Rachel Ruysch in 1863. A framed certificate by the Florence Gallery 


will be delivered to purchaser. 


From the Collection of Dr. Charles Hart. Philadelphia. 


Ons 


jae Bye 


REMBRANDT PEALE, N.A. 
AMERICAN: 1779-1860 


90-—PORTRATT OF ROBERT Bae 
Height, 30% inches; width, 23 inches 


Ruddy complexioned man in the prime of life; wearing slightly 
curling iron gray hair, side whiskers, black coat and tie with 


27 5 ruffled shirt. Bust length. 
= eas Signed mid right R. Peale 1850. 

Nore. Mrs. McCulloh was the Grandniece of Robert E. Gray. 

From the Collection of Mrs. George B. McCulloh. Philadelphia. 


D. RIDGWAY KNIGHT 
AMERICAN: CONTEMPORARY 
21I—THE WATER CARRIER 
Height, 24 inches; width, 20% inches 


A Young Peasant girl, carrying an earthenware pitcher, listlessly 
stands before a brook. A rising pasturage at left crested by a 
few trees. 


Signed at the lower right Ridgway Knight, Paris. 
From the Collection of Mrs. Craig Lippincott. Philadelphia. 


SAMUEL BELL WAUGH 
3 AMERICAN: 1814-1885 
22—LADY WITH STRAW HAT 
Oval; Height, 24 inches; width, 19% inches 


A Beautiful young girl with dark tresses to her shoulders; 
wearing a straw hat with white feathers and blue ribbon. Bust 
length, three quarters toward left. _ 


From the Collection of fohn Michener, Esq. Philadelphia. 


EDWARD D. MARCHANT 
AMERICAN: 1805-1887 
23—PORTRAIT OF A LADY 
Oval; Height, 25% inches; width, 20 inches 


A Dark haired beautiful young woman draws a pale lavender 
mantle close over her shoulders to her breast. 


Nore. The painter Edward D. Marchant was the favorite pupil of Gilbert 
Stuart. This painting was copied from a work by the famous portrait 
painter Franz Winterhalter. 


From the Collection of Fohn Michener, Esq. Philadelphia. 


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REMBRANDT PEALE, N.A. 


AMERICAN: 1779-1860 


24—PORTRAIT OF SAMUEL NICHOLAS GRAY 
Height, 34 inches; width, 27 inches 
A Handsome young man with blue eyes, wearing brown hair 


and side whiskers, dark coat and ruffled shirt; seen at half length 
seated before a crimson curtain at left. 


The following inscription written in Rembrandt Peale’s hand is on the 
back of canvas: Samuel Nicholas Gray Born Dec 26, 1795 died Dec 27, 1837. 
Painted by Rembrandt Peale after death; Samuel G. White sitting for the bust. 


Nore. The framed acceptance of the resignation of Samuel Nicholas Gray 
and Lieut. from the first Troop of Philadelphia City Cavalry dated Nov. 
gth 1826 accompanies the portrait. 


Nore. Mrs. McCulloh was the Grandniece of Samuel Nicholas Gray. 


From the Collection of Mrs. George B. McCulloh. Philadelphia. 


THOMAS SULLY 


AMERICAN: 1783-1872 
25—MRS. HENRY ROBINSON OF BOSTON 


Height, 24 inches; width, 20 inches 
5 A Pleasant featured woman with brown eyes; wearing a lawn 
\ 7 ‘ cap with long strings over her dark curling hair and a black 
bodice. Bust length before a golden brown background. 


Signed on back of canvas T. S. in monogram. 1846. 


Nore. In the original manuscript account book of Thomas Sully now owned 
by Joseph T. Kinsley, Esq.; this painting is recorded on Page 98. It is 
also recorded in the Biddle & Fielding Register, Page 261, and there stated 
to be owned by Joseph T. Kinsley, the present vendor. 


Companion to the following. 


THOMAS SULLY 


AMERICAN: 1783-1872 


26—HENRY ROBINSON, ESY,, OF BOSTON 


Height, 24 inches; width, 20 inches 


Bust Length of a spectacled middle aged man with smiling 
brown eyes and curling hair; wearing high black stock and similar 
colored coat. Warm brown background. 

Signed on back of canvas. T. S. in monogram. 

Nore. In the original manuscript account book of Thomas Sully now owned 
by Joseph T. Kinsley, Esq.; this painting 1s recorded on Page 93. It is 
also recorded in the Biddle & Fielding Register, Page 261, and there stated 
to be owned by Joseph T. Kinsley, the present vendor. 


Companion to the preceding. 


Oia. 


JOHN: BAPTIST VAN LOO 
FRENCH: 1684-1745 


25 —DUCHESSE DE VENDOME 
Height, 36 inches; width, 29 inches 


The Beautiful, gray-haired young duchesse is seated, attired in 
a maroon dress trimmed with lace, toying with a garland of 


| po. flowers in her lap. 


From the Blakeslee Collection. 


FRANCIS MARTIN DREXEL 


AMERICAN: Earty NINETEENTH. CENTURY 
8a 1 HOG oP ANTE 


Height, 30 inches; width, 24 inches 


The Madonna ts attired with a lavender mantle over her closely 

dressed hair, a pale yellow scarf over her shoulders and deeper 

lavender robe. She gazes at the Infant Saviour held on drapery 

before her. St. Joseph 1s at left and holds a bunch of ripe cherries 
9 o0, towards the Holy Child. High cliffs are in the background. 


Signed at the lower left F. M. Drexel 1822. 


Norse. Francis Martin Drexel was the founder of Drexel & Co. Bankers of 


Philadelphia and New York. 


From:the Drexel Estate. 


ANTOINE WATTEAU 


FRENCH: 1684-1721 


2g =) 25 PORAL: PLEASURES 


Height, 27 inches; width, 23 inches 


A Handsome young mother wearing gray bodice and yellow dress, [25° 
is seated under the pleasant shade of trees in the left foreground; 
near her are two daughters, one in a pink dress, the other in 
blue. Grouped around are a girl offering a basket of fruit, an 
attendant, and a seated musician beyond. Through the trees, over 
a high bratlcs is the tower of a chateau, and at left rising Wapded 
country. Rich in color and a very typical example of this master. 


From the Collection of Ferdinand Trudel!. 


GILBERT STUART 


AMERICAN: 1755-1825 


30—GENERAL GEORGE WASHINGTON 


Height, 36 inches; width, 24 inches 


The Majestic full length figure of Washington in court costume, 
standing at left of a crimson velvet covered table and before a 
similar colored curtain. 


Nore. A small replica of Stuart’s famous Lansdowne Portrait, of which 
Stuart 1s known to have made six of the life size and eight of the lesser size, 
of which this is said to be the third or fourth. 


From the Collection of Thomas Skelton Harrison. Philadelphia 
philanthropist and former U. S. Consul to Egypt. 


An attestation of authenticity written by the hand of said Thomas Skelton 
Harrison accompanies the painting. This certificate has recently been iden- 


tified by G. L. Harrison, now ninety years of age, as being in the handwriting 
of his late brother Thomas Skelton Harrison. 


ANTON MAUVE 
-| Durcu: 1838-1888 


21-—-CATTLE AT Poh FOLLAND 
Height, 33% inches: length, 44% inches 


A Group of four cattle, two standing and two recumbent, chew- 
ing the cud, is near the foreground of a low lying pasturage 
watered by a small stream flowing from distant right past a 
farmhouse resting amid trees to left foreground. A young man 
is fishing at the stream near two sheep on the left-bank. A 
milkmaid with her pail stands beyond the cattle ready for milk- 
ing time. 


Signed at lower right Anton Mauve. 


Nore. A framed photograph of this painting is endorsed on back certifying 
to the authenticity of same and is signed by B. L. Voskuil, Amsterdam, 
Boussod Valadon and C. L. Fliermans, both of the Hague. Dated Jan. 
28th, 1915. 


Purchased direct from C. L. Flrermans. 


+ 7b, 


~ 


JOHANNES BERNARDUS BLOMMERS 
DutcH: 1845-1914 


32—_DEPARTURE OF FISHING BOATS, SCHEVENINGEN 


Height, 29% inches; length, 49 inches 


The Straggling Fleet of boats is fast disappearing into the misty 
distance. On the low sandy beach across the foreground two 
groups of fisher folk, mostly women and children, are watching 
the departure of perhaps father, son or lover. The tonality and 
atmosphere are richer in quality than is usual with this great 
painter. 


Signed at lower right Blommers. 


Nore. This painting received the Gold Medal at Amsterdam and several 
other exhibitions and Blommers shortly before his death wrote the present 
owner that in his estimation it was one of his masterpieces. A framed 


photograph of this painting certified to by Blommers will be delivered to 
purchaser... 


From the Collection of Mrs. Anna M. C. Wilkin, Rochester, New 
York, whose husband bought this painting direct from Blommers. 


BARON M. DE MUNKACSY AND K. DE PAAL 
HuNGARIAN: CONTEMPORARY 


334 GOTHIC AVENUE, AFTER RAIN L780 
Height, 46 inches; width, 31 inches ; 


A Rough watery country road, touched with occasional beams 
of a lowering setting sun, is canopied by an avenue of noble 
trees forming a continuous Gothic arch at their apex. A peasant 
woman carrying a blue umbrella o’erhead advances at left. A 
huntsman looks over a high wall into dense woods at right. 


Signed at lower right L. de Paal. 


Nore. Accompanying this painting is a certification, the translation reading: 
“This is to declare that I have sold to H. Bernheim the painting from the 
exposition of 1874, entitled ‘After Rain’ painted by de Paal (Kadislas) 
and that the figures were by me (Signed) Munkacsy. Paris le 17 Juillet 1874.” 


From the Collection of Samuel H. Austin, junr., Esq. 


1-00. 


CHRISTIAN SCHUESSEER 
ALSATIAN: 1824-1879 


34— BENJAMIN FRANKLIN BEFORE THE PRIVY COUNCIL, 


WHITE HALL CHAPEL, LONDON, {ANUARY 29TH, 1773 
Height, 5734 inches; length, 85% inches 


Franklin stands in simple dignity amid the attending throng 
of notables, before Lord Gower, President of the Council. Among 
the notables are Edmund Burke, Dr. Priestley, Jeremy Bentham, 
the prosecutor Wedderburn, Lord Dartmouth, the Colonial 
Secretary, the Duchess of Rutland, Ladies Falmouth and Wort- 
ley Montagu. In the galleries above is a large group of specta- 
tors. The composition of the varied groups is masterly and 
easily bears its own against Baron Joly’s noted canvas “Franklin 
at the Court of France.’”’ Schuessele at infinite pains procured 
faithful portraits of the sixty notables gathered at Council. 


Signed at lower right C. Schuessele. 


Nore. This historic canvas is one of the most important ever offered and its 
resting place is undoubtedly a National or State Museum. This extraordinary 
scene forms the subject of a chapter in Bancroft’s History entitled “The 
King in Council insults the Great American Plebeian.” In 1773 Franklin 
was residing in London as Commissioner for the Colonies of Massachusetts, 
Pennsylvania, Jersey and Georgia, when certain letters of Governor Oliver of 
Massachusetts written to persons in power and office in England calling 
for oppressive measures and advising action detrimental to the interest 
of the Colonies, came to his knowledge. Franklin obtained possession of 
these and transmitted copies to the Speaker of the Assembly of Massachu- 
setts, and called attention to their insidious character and the unfaithful- 
ness of Governors Hutchinson and Oliver. The perusal of the letters caused 
the most profound indignation. The House of Representatives petitioned 
the King for the Governors’ removal charging them with betrayal of trust 
and of giving private, partial and false information to those in power. 
[t was on this question Franklin came before the Council assistéd by John 
Dunning and John Lee, to advocate the removal of Hutchinson and Oliver. 
Wedderburn, the Solicitor General, in a speech full of venom and falsehood 
attempted to put Franklin in place of the defendant, much to the merri- 
ment of the cheering Lords in Council. This incident went far to provoke 
the Colonies to assert their Independence. A framed key to the characters 
a a copy of Bancroft’s chapter, published 1860, will be delivered to pur- 
chaser. 


From the Collection of Foseph Harrison, junr., Esq., Philadelphia. 
[See Frontispiece] 


ROBERT WHITECHURCH 


AMERICAN: CONTEMPORARY 


5—BENFAMIN FRANKLIN BEFORE THE PRIVY COUNCIL 


Framed Colored Print. 


Reproducing the famous original painting by Christian Schuessele; the pre- 
ceding number. 


CAVERE GIUSEPPE RECO 


ITALIAN: 1634-1695 


peed IPE, VINE, FRUIT AND MEAT 
Height, 29% inches; length, 391% inches 


Mushrooms, a cake and fruit are spread over the foreground 
before two joints of meat and a rush basket of vegetables. A 
wine cooler of rare vintage wine Is at left. 


From the Collection of Spencer Carroll, Esq., Baltimore. 


/ 0-0. 


J. ROSIERSE 


BELGIAN: CONTEMPORARY 
37—THE NIGHT MARKET, AMSTERDAM 
Height, 43% inches; length, 54 inches 


A Group of peasants surrounds a large trestle table spread with 
vegetables which catch the flickering light from two quaintly 

S As shaded candles. A clouded moon o’erhead adds but to the gloom 
gathering over the buildings in the middle distance. 


Signed at lower left J. Rosierse. 


From the Collection of fohn Michener, Esq., Philadelphia. 


BARON FRANCOIS GERARD 
FRENCH: 1770-1837 
38—THE MUSE POLYHEME 
Height, 60 inches; width, 44 inches 


The Muse, attired in classic crimson robes over a white dress, is 
bh OO. seated at the foot of a tree, contemplating. She holds her lyre 
with her left hand in her lap. 


THOMAS SULLY 


AMERICAN: 1783-1872 


39ORESTES AND PYLADES 
Height, 39 inches; length, 50 inches 


The Two cousins are before the altar of Diana in the custody 
of an accusing group of warriors. Orestes’ sister Iphigenia 1S 
behind the altar at left. The tragic moment is nearing but their 
fate is to be averted by the aid of the Priestess Iphigenia. 


Nore. This beautiful copy of Sir Benjamin West’s fine painting of the same 
subject, now in the National Gallery, London, was painted directly from 


’ the original in West’s Studio at London. 


_ From the Collection of Spencer Carroll, Esq., Baltimore. 


CLAUDE LORRAINE 


FRENCH: I€00—1682 


40—THE PORT OF LEGHORN. 
Freight, 44 inches; length, 651% inches 


Two Important galleys are in the forewaters, others are lying 
in a wondrous bath of light from the setting summer sun. At 
left rises a large columned edifice with the busy quays stretching 
to the distance. 


Nore. This fine commanding painting by Lorraine is said, not without 
foundation, to have received the shipping and figures from the brush of 


Salvator Rosa, 1615-1673. On back of canvas is the coroneted monogram 
C. G. of the original owner. 


From the Collection of George H. Tatham, Esq., Philadelphia. 


DOMINCE BRANDI 


Tranran: 1683-1736 


Meee IPRS AND THEIR FLOCKS 
Height, 58 inches; length, 64% inches 


A Flock of sheep and goats are in a rocky foreground and two 
bulls are to left and right. Two shepherds are seated in con- 
versation beyond the sheep. Powerfully painted and signalized 
by broad vigorous brushwork. 


Nore. Professor Pasquale Farina of Philadelphia, recognized by the Italian 
government as an authority on Italian painting, has pronounced this 
canvas to be by Brandi at his very best. 


From the Collection of the King of Naples. 


) +0, 


DE CARLO BALDASSARE 


ITALIAN: 1720—CiRcA 1800 


4 oe LIE DEAD Gey 
Height, 30 inches; length, 51 inches 


A Group of varied fowl, a gun and a leather bag are in the fore- 
110 ground of an uneven landscape canopied by trees at left. 


From the Collection of Spencer Carroll, Esq., Baltimore. 


Companion to the following. 


DE CARLO BALDASSARE 


- Ivatian: 1720—Circa 1800 


43-STILL LIFE, DEAD GAME : 
Height, 30 inches; length, §1 inches 


A Group of varied fowl and a wicker basket filled with others are 1/0, 


in the foreground of a marshy landscape, occupied by a lake 
at left. 


From the Collection of Spencer Carroll, Esq., Baltimore. 


Companion to the preceding. 


PAINTERS REPRESENTED IN THE COLLECTION OF 


JOSEPH T. KINSLEY, ESQ. 


BALDASSARE, DE CARLO 
Barrias, E. (Bronze) 


BLomMERS, JOHANNES B. 


Boc.LiosTt1, AGOSTINO 


BonHEwr, Isipore (Bronze) 


BoscHETToO, GIUSEPPE 
Branpi, DoMINCE . 
Cuapu, H. (Bronze) 
Craic, THomas B. . 


Dana, C. E. 


DrexEL, Francis M. 


GERARD, Baron FRANCOIS 
GREEK Awiteur, AFTER THE (Peon 


Haanen, G. G. 
Knicut, D. Ripcway 
LorRAINE, CLAUDE 
Marcuant, Epwarp D. 
Mauve, Dear 


Mirco Baron M. DE, AND DE Past, ee 


ORTMAN, F. AUGUSTUS 


Peace, N. A., REMBRANDT 


Peote Coe ns Way 
Pe AIME 


Reco, Gee (eee 


Dap rane, W. 


Ricuarps, N. A. Sitter cm Il At 


RosiERse, if 


SCHUESSELE, CHRISTIAN 


SIEGEM, AUGUSTE 
SORBI, RAFAELS 
STUART, GILBERT 
SULLY, THomas 
TERBURG, GERARD . 
Trotter, Newso tp H. 
VAN DER WAARDEN, J. 
Van Loo, Joun Baptist 
WatTTEAU, ANTOINE 
Waucu, SAMUEL BELL 
WHITECHURCH, ROBERT 


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